Somewhere between David Lynch’s “Candy Colored Clown” reference as a nightmare-induced liminal performance piece and the Instagram nation’s slow and enduring chromophilia lies a land of disquiet where the analog color saturation and the similarly enduring still life coalesce into the apocryphal natural beauty and lucid visions of Chloe Sells
Chloe Sells
Brad Feuerhelm, Photomonitor, June 29, 2013